AKA: The first ‘Shaky Camera’ movie since Cloverfield I didn’t hate…
You know, I did a review of this movie way back when I started doing reviews, and it was part of the ramp-up when I went professional with my reviewing as well as my writing. Basically, when this film first dropped on Netflix, I was still largely focused on political commentary, and movies like Alien Abduction (2014) were part of my transition into taking horror seriously.
Continue reading Reed Alexander’s Horror Review of ‘Alien Abduction’ (2014)
One of the best B-Movie ever made
I know when my reviews start with the spoilers, that usually means the movie is garbage and I’m about to tell you how bad. Not Tremors (1990). This movie is fucking epic! However, considering the general tone and style of the movie, it’s appropriate to treat it like a trash film, so spoilers away.
Continue reading Reed Alexander’s Horror Review of ‘Tremors’ (1990)
More plot than you’d expect to get out of a zombie with a shotgun…
Yeah, this was fun. As many of my readers well know, my wife watches a lot of horror movies with me, and one of our favorite things to do is riff the movie we’re watching. It’s one of the ways I know a movie has riffing potential. Of course this movie, being a shoe-string indie, had all kinds of riffable material. It’s like the trope my wife coined “ForeCaging,” (named after the hammy acting of Nicolas Cage) which means “Foreshadowing riff worthy material from the setup.”
Continue reading Reed Alexander’s Horror Review of ‘Zombie With A Shotgun’ (2019)
Stuck at home? At least you’re not The Endless.
I ended up watching this because a friend recommended it after I surprisingly enjoyed Color Out Of Space (2019). The 2010’s brought us a huge uptick in seriously quality Lovecraftian horror, many of which made it on to my ‘All Time Top Horror‘ list.
Continue reading Reed Alexander’s Horror Review of ‘The Endless’ (2017)
Surprisingly good for bad horror.
This movie is pretty bad, but for what it is, it’s actually quite good. And I don’t mean ‘so bad it’s good,’ I mean actually good. And I’m not grading on a curve here. Don’t misunderstand me, there is so much about this movie that is jut flat out bad that it should fit into the category of good-bad movies. In fact, I struggle to place it anywhere else. It’s a bit of a paradox, a movie being both good and bad while not technically being good-bad.
Continue reading Reed Alexander’s Horror Review of C.H.U.D. (1984)
The bad guy is never innocent…
It’s weird that I ended up watching this movie right after the remake of A Nightmare on Elm Street (Elm Str). They have a lot of odd similarities. I think the person who wrote this movie, might have been trying to come up with a new adaption on the Elm Str. concept, and just phoned it in. I mean, a child murderer, with supernatural powers, uses them within a very strict mythos, to murder the children of the people who killed him.
Continue reading Reed Alexander’s Horror Review of ‘Polaroid’ (2019)
Unpopular opinion time… this was good…
There was nothing really wrong with this remake. Actually, it was pretty damn good. Sure, there was tons of unnecessary CGI, yeah it wasn’t Robert Englund’s Freddy Krueger, YES the original A Nightmare on Elm Street 1984 (Elm Street) was better, but this was good, damn good.
Continue reading Reed Alexander’s Horror Review of ‘A Nightmare on Elm Street” (2010)
The best-worst movie you never heard of
If it wasn’t for the internet, this would’ve become just another cult classic… I guess that sorta means it still is a cult classic, but this movie could have faded into obscurity if it was released only a couple years earlier in the late 90s. Meaning, they kinda lucked out riding the crest of the internet age. Right at the start of it all, a time when you could still go viral but right before going viral had lost all meaning.
Continue reading Reed Alexander’s Horror Review of ‘Bubba Ho-Tep’ (2002)
Not as much fun as the original
This just wasn’t as much fun as the original. Now, I’m not saying the original was good, I actually thought it was kind of boring considering the concept they had to work with. The difference between the original and the remake can be spelled out by tone and pacing. So far as tone goes, the original mixed a level of absurdity with the violence. Yeah, there were rampaging lunatics, but some of them were fun rampaging lunatics. It gave you the idea that the virus might cause you to be violent but in random and even wacky ways. We’re not talking comedy levels here, just enough to note the difference.
Continue reading Reed Alexander’s Horror Review of ‘The Crazies’ (2010)