Anything for a decent Shudder flick…
Shudder is starting to up their game with their exclusive content. This is good, because so far I’ve been pretty unimpressed. Out of the several selections I’ve already viewed, most of them were boring or outright bad. But I can honestly say that Anything For Jackson (2020) is damn good. Good enough, where I’m sure it will find a spot somewhere on my top 50. Not high, but on there, and that’s an impressive feat.
Continue reading Reed Alexander’s Horror Review of ‘Anything For Jackson’ (2020)
In the general vicinity of Chaos…
I think the first thing that was really fetching about this anthology wasn’t just the solid collection of stories, but also the fantastic collection of artwork proceeding each story. Kinda gives it the feel of a Scary Stories to Tell In the Dark, except for adults. The artwork was fascinating and I appreciate the added effort.
Continue reading Review: ‘At The Gates of Chaos’ (2021) Edited by Scott Dyson.
Tommy has The Shinning…
In my review of White Noise (2005), I asked the question, “why watch that when you can watch this instead?” They were very similar in style and even plot, but White Noise was pretty lame. I mean, it was okay, but not really worth the watch. This one is so much better AND it has Kevin Bacon in it.
Continue reading Reed Alexander’s Horror Review of ‘Stir of Echoes’
Phantasm: The 4th One…
Most of this movie takes place in flashbacks from the first one, or in cars on a dirt road. The rest takes place in the desert. Talk about filming on a budget. I feel like they didn’t get a permit to shoot most of this.
Continue reading Reed Alexander’s Horror Review of ‘Phantasm IV’ (1998)
Slightly better than ‘The VVitch‘…
I suppose it wasn’t bad. I have a lot of the same complaints about this movie as I did The VVitch (2015). Visually, this movie was stunning. Though it wasn’t quite as beautiful as The VVitch the director put the same level of effort into making every scene a work of art. I think it even works a little better than The VVitch, even if the quality wasn’t quite as good. This movie is more of a psychedelic horror like Argento’s Suspiria (1977). It’s visually stimulating and deeply unnerving, likely in an effort to get the audience to trip. It even used synth music in the same stylings as the old horror movies to assist in making every scene discomforting.
Continue reading Reed Alexander’s Horror Review of ‘Gretel and Hansel’ (2020)
Big Trouble on a Little Vessel…
A Russian, an Aussie, a Brit, and an American, bord a ship… Idontfuckingknow, maybe don’t start your movie like a bad bar joke? It doesn’t even make any god damn sense. On what ship, would American, Russian, and Aussie soldiers be together with British Intelligence? It’s a small complaint, and really, the movie was pretty good, so it was also a complaint that I can forgive. It just annoyed me for some reason.
Continue reading Reed Alexander’s Horror Review of ‘Blood Vessel’ (2019)
A low bar, a lower accomplishment…
Don’t get me wrong, I like the original Castle Freak (1995) but it never really merited a full review. Compared to the other works of H. P. Lovecraft that got turned into movies (Re-Animator (1985), From Beyond (1986), Dagon (2001), Color Out of Space (2019)), it’s just ho-hum. The other movies are balls-out bonkers and way more entertaining. Effectively, for Castle Freak (1995), there is nothing to review.
Continue reading Reed’s Horror Review, Castle Freak (1995) and (2020), a Comparison.
‘Obsessed Writer Trope: The Movie’
Yeah, you know this movie really wasn’t that bad. It got a lot of shit for shameless jump-scares and thoughtlessly rehashed tropes. Even Stephen King should be mad at this movie for stealing his “obsessed writer gets caught up in horror” trope. I kid but honestly, this did have a similar feel as dozens of Stephen King adaptations because of how often he uses the obsessed writer trope.
Continue reading Reed Alexander’s Horror Review of ‘Sinister’ (2012)
30 minutes of movie in a feature-length film…
So far, I’ve been pretty disappointed with the majority of Shudder Originals, save Mayhem (2020), which was a fucking hoot. Basically, Shudder is 1-3 here and Mayhem doesn’t quite make up for the other three films. However, if you want the ‘too long; didn’t read’ version of this review, it would be “Watch Mayhem instead.”
Continue reading Reed Alexander’s Horror Review of ‘The Shed’ (2020)
I REALLY wanted to like this movie. It’s from the same writer/director as He Never Died (2015), which was fucking epic. It even had some really solid plot ideas. I don’t know who fucked this up, but they fucked it up BAD. Maybe they needed Jason Krawczyk to direct, or maybe Jason was never a good writer and Henry Rollins really did clean up He Never Died (2015).
Continue reading Reed Alexander’s Horror Review of ‘She Never Died’ (2015)