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Defects: Pregnancy in Horror, Part Three

(Note: If women’s reproductive choice and autonomy are issues you care about, the single best thing you can do right now is donate to the National Network of Abortion Funds. As their website says, “Not being able to afford or access an abortion is not an individual problem. It’s a systemic injustice. Together, we can fight back.”)

Last week, I talked about a few of Stephen King’s portrayals of pregnancy in his work. King is one of the all-time greats, but even Orson Welles had his off moments, and so has King. That said, his heart is in the right place and his characters are usually three dimensional and well-developed, with voices and desires that sound and feel authentic. The same cannot be said of all approaches to pregnancy in horror, however. Some writers and filmmakers are responsible for portraits of gestation that serve as both potent prophylactics and startling snapshots of misogyny – and the best place to start is with my old arch-enemy Stephanie Meyer and her novel Breaking Dawn.

Continue reading Defects: Pregnancy in Horror, Part Three