A Void of Strong Women Characters
Let me just start out by saying, there was a LOT about this movie that was testing my fucking patience. It really prayed on “Weaker Sex Syndrome” far too often, and for a hot second, I could swear they were doing “Gladiator Moments.” There was scene after scene of what seemed like completely unrelated artsy bullshit. Thank god I was wrong about that because I really wanted to like this movie just from the premise.
In the end, the random moments of esoteric bullshit did get tied in nicely and the movie almost (note that’s ALMOST) redeemed the “Weaker Sex Syndrome.” I guess I have to give them credit for trying, as it’s more than most in the industry do these days.
But here’s the thing. There are very few Lovecraftian movies that did the feel of the genre justice without getting into the artsy silent films. There was YellowBrickRoad, In the Mouth of Madness, Color from the Dark, and, of course Lord of Illusions (LOI), which this movie very much reminded me of. The one thing that LOI had that this didn’t was the mystery aspect of Lovecraft. The search for truth leading to the discovery of madness. That’s sort of essential to the Lovecraft genre and The Void picks up after that pretty much already over and done with.
Still this movie had amazing atmosphere, a storyline that was coherent, which is hard for this genre, character development that was somewhat decent, and acting that was pretty good, even for horror… so why did I almost stop watching?
JESUS FUCKING CHRIST THE IRRATIONAL WOMEN IN THIS FUCKING MOVIE!!! They cast all the female roles in this movie pretty much just to drive the plot by being completely fucking useless or even worse, idiotic. If it wasn’t the nurse’s assistant breaking down into hysterics every five fucking minutes, it was the headstrong independent woman who you KNOW is gonna Lois Lane herself into being the damsel in fucking distress. Then there’s the country bumpkin pregnant girl who is only in this movie to give birth to a tentacle beast. Fucking seriously? Where are my Ripleys? Where are my Black Widows? Where are the women at? You know? The real women with active grey matter who drive the plot by being a part of the story, not by being fucking “McGuffins With Legs.”
And the fucking main character. Jesus fucking Christ, it’s like he spends the first fucking 20 minutes either unconscious or getting the shit kicked out of him. Isn’t he supposed to be a fucking cop? I mean, I get that they wanted him to be portrayed as a dweeb, but FUCK. Every five minutes for the first 20 minutes, he either gets knocked the fuck out or faints. Look, he had to have some kind of training, right? Self-defense? Boxing? How the fuck did this guy even become a cop?!
So why did I like this movie? Fuck man, I’m not even sure. The beginning is rough and poorly conceived, but the rest is so captivating.
It’s not just the fact it’s a creature feature with tentacle beasts. I do love a good creature feature, but there was more in this. Now, as you can tell by me complaining about the three “McGuffins With Legs,” a lot of the story is forced. But it always leaves just enough for intrigue. You can’t just ignore the fact that the movie starts off with a cult surrounding a hospital, trapping everyone inside and just slowly erodes from there. You find out quickly that this all has something to do with the bumpkin’s baby. It starts out as s simple struggle for survival, but then the mystery starts to kick in.
Once you get through the bullshit, and the bullshit is livable, it’s actually amazing.